NOUTATI VIDEO

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Propun un subiect nou care din cat am observat lipseste cu desavarsire.
Cine doreste si este amabil il invit sa posteze noutati in domeniul VIDEO (camere, tehnologii, impresii, etc.).
Sa incepem cu noua bijuterie de la SONY HD XDCAM EX Series care, surpriza, nu mai filmeaza pe caseta ! ! ! ci pe un card SOLIDE-STATE like Panasonic P2, dar spre deosebire de Panasonic, SONY nu este proprietara tehnologiei noului Solide-State ExpressCard . . . deoarece nu este inventata de Sony, deci vor apare mai multi producatori de astfel de tipuri de carduri gen SunDisk, Lexar, Fuji, Kodak, etc. Momentan exista de 8 si si 16GB iar cea de 32 GB urmand sa apara la sfarsitul anului 2007 - inceputul lui 2008.
Pentru cine doreste sa afle mai multe detalii poate urmarii link-ul meu:
http://www.xdcamuser.co.uk/articles.php

Enjoy ca maine-i Joi.

[Mitica]

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April 11, 2007 - Last Monday, Ikegami Tsushinki, maker of broadcast video cameras announced their collaboration with electronics manufacturer Toshiba to produce a flash memory-based “total” video production system. The partnership will implement tapeless flash memory technology on the production end, backed by a complete digital workflow solution. The announcement by Toshiba, a leading designer of broadcast systems, and Ikegami, a respected manufacturer of high quality professional cameras also offers the first competition to Panasonic’s P2 flash technology.
Flash technology was first widely implemented by Panasonic, which introduced their proprietary P2 card system in 2006. Their $6000 AG-HVX200 was the first camcorder to record to solid state removable flash media, allowing for silent camera operation and durability in harsh environments. Panasonic has touted the money-saving attributes of reusable P2 cards over tape stock, but the barriers to entry remain high. The largest currently available P2 has a capacity of 8GB and retails for about $700. P2 supports DVCPRO, DVCPRO 50, and DVCPRO HD but each card holds just 8 minutes of DVCPRO HD footage. The relatively high price of P2 cards has limited adoption of Panasonic’s system primarily to larger organizations and broadcasters.

Ikegami was the first company to introduce tapeless video with their “Editcam” in 1995, the industry’s first HDD-based camcorder. In 2006, they launched the high definition Editcam HD. Toshiba is the pioneer of the world’s first broadcast video server with flash memory. With Ikegami and Toshiba teaming up to offer a new flash memory-based production and post-production system, the battle for tapeless video supremacy is on.

Ikegami and Toshiba will reveal their latest development models on Monday, April 27th at NAB 2007 (National Association of Broadcasters convention) in Las Vegas.

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SanDisk and Sony have jointly today announced the new SxS memory card format designed for professional camcorders. This new format is essentially the definition of a PCI Express memory card, it's the same size and has the same interface. Initially announced in 16 GB capacity we wouldn't be surprised to see this doubling within a few months (such is the pace of flash memory development). Although not strictly digital photography related (yet) this format may well be of interest to developers of professional medium format backs and other specialized cameras.

April 15, 2007 -- SanDisk® Corporation and Sony Corporation today announced that the two companies have agreed to a Memorandum of Understanding (MOU ) with the intention of developing the SxS™ (S-by-S) memory card specification, with high-speed transfer technology compliant to the ExpressCard™ industry standard.
SxS™ memory cards will leverage the technology strength of SanDisk and Sony, who have a long and successful history of co-developing and promoting flash memory products. With this high-performance and high-reliability memory card, both companies are targeting workflow improvements for professional camcorders and non-linear video editing systems.

The SxS™ memory card specification uses flash memory and complies with the ExpressCard™ industry standard, and the card connects directly to computer systems through the high-speed PCI-Express™ bus. ExpressCard™ has been rapidly adopted by PC manufacturers to replace the legacy PC Card™ form factor, giving the SxS™ memory cards broad support in post-production hardware.

Sony will adopt this high-speed SxS™ memory card specification in its “XDCAM EX™“ series professional camcorders. SxS™ memory cards from SanDisk and Sony are expected to be available later in 2007.

Benefits:

High-speed data transfer of large video files. SxS™ memory cards are the first native PCI Express™ solid-state storage media1. PCI Express™ has a maximum data transfer speed of 2.5 gigabits per second, twice as fast as PC Card™-based storage media. In addition, SanDisk and Sony have optimized the technology protocol for controlling communication between hardware and SxS™ memory cards to enable high-speed transfer of large files, such as high-definition video, to PCs for non-linear video-editing. The target transfer speed of SxS™ memory cards is 800 megabits per second.

Compact Size. The SxS™ memory card specification uses ExpressCard™/34 modules (width: 34mm, height: 5mm, length: 75mm), half the size of PC Cards™. This enables the design of professional camcorders that are smaller and lighter, while still offering high storage capacities.
“Sony and SanDisk share the goal of providing leadership in high-performance, high-capacity recording solutions for professional video,” said Eli Harari, Chairman and CEO of SanDisk. “I am proud of the close cooperation we have had with Sony over the years, and I look forward to the exciting new products that SxS™ memory cards will enable.”

Yutaka Nakagawa, Executive Deputy President and Corporate Executive Officer of Sony Corporation, said: “Sony has successfully collaborated with SanDisk Corporation in promoting the Memory Stick formats. Significant milestones have been the Memory Stick PRO format in 2003, the Memory Stick Micro in 2005 and Memory Stick PRO-HG in 2006. I am delighted by today’s joint announcement of this new technology, which expands our collaboration to a new area, the professional video market, offering great benefits to users in this field. With the introduction of this SxS™ memory card, we will seek to expand its use throughout professional video applications to enable highly efficient workflow systems.”

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qTop features
Efficient tools for creative editing
Create high-quality visual and editorial effects directly within the editing timeline. Generate slow motion and other time-remapping effects with precise keyframe control and real-time feedback. Add color correction, lighting and other effects, audio filters, and more with fast, flexible, built-in tools. Edit footage from multicam shoots with ease and precision

Comprehensive video-format compatibility
Work with the formats you want. Edit all standard- or high-definition formats, from DV and HDV to HD and beyond (some formats may require additional hardware).

Broad range of supporting hardware and software for Mac and Windows
Choose from a wide range of Mac and Windows® workstations and capture cards to build the editing system that meets your needs and budget. Enhance your system with additional plug-ins, including many from Adobe® After Effects® software.

DVD and Blu-ray Disc output with included Adobe Encore® CS3
Create DVD and Blu-ray Discs with Adobe Encore CS3 software, now included with Adobe Premiere® Pro CS3. Work with the same Adobe Encore authoring interface and features used to create standard-definition DVDs. Author once, deliver to three formats: automatically convert your high-definition Blu-ray Disc projects into standard-definition DVDs and interactive versions for the web.

Superior integration with other Adobe applications
Make the leading still and motion graphics applications, Adobe Photoshop® and After Effects, part of an efficient post-production workflow. Import and animate Photoshop layers. Automatically create Photoshop files that match the current project’s frame size and aspect ratio. Drag and drop or copy and paste clips and timelines between Adobe Premiere Pro CS3 and After Effects CS3 Professional.

Direct-to-disk recording with included Adobe OnLocation CS3* (Windows only)
Save tape and time by eliminating capture from your production process. Record SD and HD video directly to hard disk using Adobe OnLocation™ CS3 software, included with Adobe Premiere Pro CS3. Instantly review each shot without shuttling tape. Adobe OnLocation automatically detects and flags problems to provide the best results.

Professional on-set monitoring with Adobe OnLocation CS3
Maximize camera image quality during shoots by using Adobe OnLocation CS3 to quickly calibrate your camera, check levels, and monitor your signal. Use simple tools that function like their hardware equivalents to get results quickly and easily. The virtual reference monitor, waveform monitor, vectorscope, and audio spectrum analyzer help you avoid problems and improve quality when shooting.

Delivery to the web and mobile devices
Make your video viewable on the delivery platforms of today and tomorrow. Export as SWF FLV files. Easily convert DVD projects complete with menus to SWF for web playback. Encode for delivery to cell phones and other mobile devices, and emulate playback on those devices to check playback quality.

Improved editing efficiency
Work faster with powerful and flexible editing tools. Play video with nested audio sequences in real time without rendering. Replace any clip in the timeline with a new clip while preserving the replaced clip’s editing attributes and settings. Use shortcuts to switch between workspace panels and save time.

Accelerated client review and approval with Adobe Clip Notes
Expedite review cycles and avoid miscommunication with Adobe Clip Notes. Embed video into a PDF file, e-mail the file to your client to review and add timecode-specific comments, and then view comments mapped to the Adobe Premiere Pro CS3 timeline.

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The AG-HPX500 P2 HD shoulder-mount camcorder delivers a unique combination of high-end features never offered in a camcorder in this genre, including production-quality 2/3" progressive 3-CCDs, DVCPRO HD quality, multi HD and SD formats, variable frame rates, and four independent audio channels. In addition, the HPX500 offers the outstanding benefits of P2 solid state recording including ultra-fast IT workflow and no-moving-parts reliability, which makes the camera ideal for use in harsh environments.

At only 8.2 pounds, the HPX500 features a high-performance digital signal processor (DSP) with 14-bit A/D conversion and 19-bit processing that handles HD/SD format conversion simultaneously -- ensuring spectacular images in all video formats for applications ranging from news acquisition, independent filmmaking, corporate video, sports and much more. To give your productions tremendous flexibility, the HPX500 records in over 32 HD and SD formats. The camcorder records on re-usable, removable P2 cards. With Panasonic's new 16GB P2 card and HPX500's four P2 slots, the camera records for 68 minutes of DVCPRO HD; 136 minutes of DVCPRO 50; and 272 minutes of DVCPRO.

• Records in 1080/60i, 50i, 30p, 25p and 24p; in 720/60p, 50p, 30p, 25p, and 24p; and in DVCPRO50, DVCPRO and DV

• Excellent low-light performance and a high sensitivity of F10

• Equipped with eight gamma modes, including CineGamma, for different shooting situations

• Like the AJ-HDC27 VariCam camera, variable frame rates in 11 steps between 12p and 60p allows undercranking/overcranking for fast- or slow-motion effects

• Users have immediate access to P2 content with clip thumbnail view and advanced recording features including hot swapping, loop record, shot-marking, pre-record functions (three seconds in HD and seven seconds in SD), one-shot and interval.

• Key interfaces include IEEE 1394, USB 2.0, HD SDI/SDI, genlock, built-in SMPTE time code, independent TC-IN/TC-OUT terminals, composite video, analog component and four audio XLR inputs

• 4-position Neural Density filter

• Low power consumption of 22 watts (when 3.5" LCD monitor and 1.5" viewfinder are in use)

• 3.5" color LCD screen (with image flip function) located at rear of the camera

• Chromatic Aberration Compensation function allows the camera to automatically compensate the registration error that is caused mainly by lens chromatic aberration and minimize the circumjacent blur.

• Remote controllable with AJ-RC10G (via 10-pin RCU terminal)
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AG-HPX500 P2 HD Brochure

[glido]

Da intradevar e binevenita acest thread cu noutati dar parca nu asa.
Copy-Paste ?!
Era suficient daca bagai linku' la informatiile respective

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da ai dreptate glido dar sti cum e aici pe forum daca pui o virgula gresit toti specialistii iti sar in cap, asa ca am postat originalul sa nu denaturez nuanta, ca sa inteleaga fiecare cum vrea dupa care sa-l comenteze pe limba lui.
Poate sunt un pic cam lungi news-urile dar pe viitor promit sa le scurtez sau sa fac un mic rezumat. Oricum ma bucur ca iti place topicul meu unde ii astept si pe the others sa posteze ce afla ei mai nou.

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O noua camera de la Canon ce merita luata in considerare barem de viitorii videografi care doresc o calitate video cat mai decenta.

HDV1080i recording with a 1920x1080 Canon True HD CMOS sensor, Instant AF, DIGIC DV II and full connectivity: easily connect to an HD-ready TV set via HDMI to watch your movies in full quality.

Features

1920x1080 True HD CMOS (2.96MP)
Instant AF
10x optical zoom lens and Super Range OIS
DIGIC DV II
HDV1080i with 25P shooting mode
Advanced digital photography
HDMI
LED video light and flash
AV input
Mic input, Advanced Accessory Shoe, PictBridge

[dph]

SALUT

[BUBLE CORNEL]

Noua Sony pare a fi o camera buna si se vede ca este toata progresiva,frumusica dar ocularul pare a fi destul de firav prins de miner,la fel si LCD-ul,ca si la XH-A1. Vom vedea la ce pret va ajunge la noi si ce poate.

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[BUBLE CORNEL]

Mi-a stirnit curiozitatea destul de mult viitoarea XDCAM EX.
Am cautat sa vad mai multe poze prezentind camera din mai multe unghiuri,dar nu am gasit,pare intradevar destul de robusta ca si constructie,iar ca si marime pare normala tot pentru tinut in miini,pe umar nu se poate,ar fi prea aproape LCD-ul si mai ales ocularul. Daca ar fi asa cum se preconizeaza a fi cu sensori de 1/2 ar fi chiar buna,daca insa o aglomereaza iarasi ca de obicei la celelalte peste 1 milion de pixeli per CCD o trimite naibii in aceeasi zona cu celelalte.Dupa largimea sensorilor si daca mai sint si CMOS ar tebui sa nu mai fie o problema nici cu LOW-LIGHT-ul la ea. Mai ramine sa fie si de teren ca daca va fi bazata iarasi pe prea multe reglaje manuale tot de studio va ramine,si atunci nu ne ramine decit sa tinem cit mai mult de PD-uri si VX-uri. Va fi un serios competitor pentru HVX200 care dupa parerea mea mi se pare cea mai tare pina acum. XDCAM EX chiar nu o sa aiba SD ?? sau nu am citit eu unde trebuie.

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BUBLE CORNEL daca te referi la Standard Definition cu siguranta nu o sa aiba (cred).